A classic joint from KD himself from “The Last Man Standing”. Before theze fad, fruity niggaz called polo and nikes futuristic and blacc boi whyte boi swag, etc., KD kept it G. I been wearing polo since middle skool bitch. The song features a sample from Lil Keke’s “The Southside”, and a soul sample from Temptation member and Birmingham, AL native, Dennis Edwards. By the way, KD iz actually sitting heavy n the chevy, breaking conkrete, Polo on my body and nikes on my feet in the picture. So TRILL.
Lil Keke tha don said it was not just 4 tha Southside of H-Town, but tha whole south. I remember jammin’ 2 tha remix with 8Ball on it, which elevated it to classik status. Real, trill country rap tunes
One of my favorites-Willie Hutch “I Can Sho’ Give You Love”
One of the most talented musicians I have ever heard. The Dallas, Texas native is responsible for many soul hits. He wrote several songs for the popular soul group the Fifth Dimension and penned the hit song “I’ll Be There” for the Jackson 5. Also, Willie co-arranged the vocals on the Jackson 5 songs “Got To Be There” and “Never Can Say Goodbye.” Hutch produced Smokey Robinson’s first album without the Miracles. He recorded a slew of his own albums on the Motown label which include “The Mark of the Beast,” “Concert in Blues,” “Color Her Sunshine,” and “Havin’ a House Party.” Willie wrote the song “Keep the Fire Burning” for Gwen McCrae. He collaborated with legendary Motown producer/songwriter Berry Gordy on “What Have We Got to Lose,” which was a duet between Arethra Franklin and the Four Tops; the song/production “Hello Detroit” for Sammy Davis, Jr., and the soundtrack album for the immensely enjoyable martial arts action picture “The Last Dragon,” which features Hutch’s rousing song “The Glow.” Willie also worked as either a producer and/or songwriter for such artists as Marvin Gaye, Diana Ross, and Junior Walker. Perhaps, Hutch was best known for composing the scores for the excellent cult favorites “The Mack” and “Foxy Brown.” (more…)
KD showz theze trick niggaz how to behave n tha strip joint. Theze trick niggaz fallin’ n luv wit a stripper, that hoe is payin me. 8Ball said if you comin down south 9 tymes out uv 10 niggaz like me, PIMPS. These niggaz need to get out tha SOUTH wit that trick shit. KD tha Playa Prezident, Bitch, (Don’t 4get tha bitch, tha bytch where tha money at). Ima put tha south on my back.
EDIT: Apparently Grand Hustle hasn’t gotten the T.I. sample cleared from Atlantic yet. Go figure.
If you’ve wondered what that song with the T.I. “it ain’t trick’n if you got it” sample is like me, here it is. They are playing this all over the A right now. Although I can’t co-sign trick’n (even though I’ve been known to get a few dances), the song does jam.
SLHM Totta hails from Huntsville Alabama, who pretty much are responsible for some of the best southern music being crafted in quite some time. This track continues the trend IMO, as it has a throwback sound to it. Seriously, the beat sounds like some shit that woulda been made in 94, 95 and thats not a bad thing by any means. The Mob Music/G Funk sound influence is evident in this piece and Im fuckin with it tough. I chopped it up with Totta and expect to hear more from dude real soon. He also fucks wit TRU records so you know wassup. Free C!
Pimpin’ Ken keepz it pimpin. Niggaz watch tha mack and try 2 pimp on my flusiez/but my bitchez know tha difference between real pimpin and movies.-Pimp C. See them fake niggaz fux it up 4 real niggaz and that shyt makez me get so high-MJG
Some more underground Atlanta Buhmp, this time courtesy of Vice Grip’s Entertainment artist J-Choka. This sample is on the tip of my tongue but I cant place my finger on it(no homo.) Anybody?
